Creatives from Brian Eno, Willie Williams and Es Devlin on the making of U2:UV.
Fender honours Adam with signature combo bass amp.
Enter the multi-media Zoo Station exhibit running alongside U2:UV at Sphere.
THE 2024 gift for subscribers to U2.com

News - Reviews

07 December, 2000
'U2 toasts Ramones, Who, Rage, Pumpkins
in club gig,' reports a warm review of Tuesday night's Irving Plaza set in Rolling ...
31 October, 2000
'U2's tenth studio album and third masterpiece, All That You Can't Leave Behind, is all about the simple melding of craft and song.
31 October, 2000
Prising themselves free from their mid-90s fixations with irony and Las Vegas glitz, U2 have circled back to what they've always done best.
30 October, 2000
Its beauty is in subtlety rather than extravagance.
31 August, 2000
Track by Track Guide to the New U2 Album, All That You Can't Leave Behind By Larry Flick.
02 November, 1998
Hearing all U2's brightest songs in one sitting can be a dazzling experience...... Any album which gathers together U2's greatest hits ...
31 October, 1998
'...four driven musicians ... highlighting social injustices, the enigma of superpower America, and generally laying balm upon the wounds of ...
31 October, 1998
Among the holiday season's biggest sellers is a double-disc set by the Irish rockers U2, but it may be the ...
28 February, 1997
(U2 have) relaxed sufficiently to allow a certain funk into their music...
28 February, 1997
U2 have not reinvented themselves so much as rediscovered themselves...
28 February, 1997
Legendary Irish poet Brendan Kennelly was invited by U2's magazine Propaganda to review their 1997 album 'Pop'.
30 June, 1993
Zooropa is not the next great U2 album but a postcard from a Dublin studio...
30 June, 1993
Zooropa is a plugged-in, spaced-out dispatch from the blinking LED eye of the multimedia storm....
30 June, 1993
Zooropa sounds mostly like a band shedding its skin, trying on different selves for size.
30 June, 1993
More influenced than ever by co-producer-conceptualist Brian Eno, their music now parallels his in its pursuit of ambience.
31 October, 1991
Here we all were, fretting over the parlous state of rock and help was on the way even while we were dithering. All of a sudden there's a clutch of superb albums out there: Southside Johnny and the Asbury Jukes' Better Days; Robbie Robertson's Storyville; Van Morrison's Hymns to the Silence. And now, to put the capper on the company, U2's dashing, demanding Achtung Baby.
31 October, 1991
Despite its awful title, Achtung Baby is an admirable record. Surprisingly introverted and complex.....
31 October, 1991
These Irishmen have proven that the same penchant for epic musical and verbal gestures that leads many artists to self-parody can, in more inspired hands, fuel the unforgettable fire that defines great rock & roll....
31 October, 1991
Achtung Baby is a difficult album -- one that seems the result of considerable soul-searching lyrically.
30 September, 1988
'Charged with the same politics that has set U2 apart from the bland pack of lyricists that abound in rock music today...'
30 September, 1988
Rattle and Hum, the title of both U2's brand-new album of the 1987 tour and the energetic performance documentary film released last week, is the sound of the band making contact: with music, with tradition, with their audience, with one another.
30 September, 1988
'Rattle and Hum is an expression of U2's urge to have it both ways'
28 February, 1987
'U2 is what the Rolling Stones ceased being years ago - the greatest rock 'n' roll band in the world...'
28 February, 1987
My guess is that U2 will be remembered as the most influential band of the late '80s and early '90s. ...
28 February, 1987
'More than any other U2 album, though, The Joshua Tree has the power and allure to seduce and capture a ...